Vanya and Sonia and Masha and Spike
Cider Mill Playhouse, Endicott, NY
Directed by Tom Kremer
Scenic/Lighting Designer: Paul Rudasso
Sound by Val Monfuega
Directed by Tom Kremer
Scenic/Lighting Designer: Paul Rudasso
Sound by Val Monfuega
Peter and the Starcatcher
Kitchen Theatre Company Jan-Feb 2016
Directed by Rachel Lampert and Sara Lampert Hoover
Scenic Designer David L. Arsenault
Lighting Designer Tyler M. Perry
Prop Designer Liz Frino
Photos by George Cannon
Directed by Rachel Lampert and Sara Lampert Hoover
Scenic Designer David L. Arsenault
Lighting Designer Tyler M. Perry
Prop Designer Liz Frino
Photos by George Cannon
I and You by Lauren Gunderson
Kitchen Theatre Company Fall 2015
Scenic and Lighting Design by Tyler M. Perry
Scenic and Lighting Design by Tyler M. Perry
Sunset Baby by Dominique Morisseau
Kitchen Theatre Company Ithaca, NY
Directed by Margarett Perry
Scenic and Lighting Design by David L. Arsenault
Directed by Margarett Perry
Scenic and Lighting Design by David L. Arsenault
Seminar by Theresa Rebeck
Kitchen Theatre Company, Ithaca, NY
Directed by Margarett Perry
Scenic and Lighting Design by David L. Arsenault
Sound Design by Ian Crawford
"Costumer Amanda Aiken defines each character perfectly: Douglas’ preppy cashmere sweaters and sockless Italian loafers; Martin’s unchanging ratty jeans and thin hoodie. Izzy drips sexuality in a series of outfits, the most striking being black vinyl pants that seem spray-painted on. And Kate: as she comes into her own, watch her shift from drab grey t-shirt to prosperous sky blue blouse and ultimately a saucy cherry top." -Ithaca Journal
Directed by Margarett Perry
Scenic and Lighting Design by David L. Arsenault
Sound Design by Ian Crawford
"Costumer Amanda Aiken defines each character perfectly: Douglas’ preppy cashmere sweaters and sockless Italian loafers; Martin’s unchanging ratty jeans and thin hoodie. Izzy drips sexuality in a series of outfits, the most striking being black vinyl pants that seem spray-painted on. And Kate: as she comes into her own, watch her shift from drab grey t-shirt to prosperous sky blue blouse and ultimately a saucy cherry top." -Ithaca Journal
The Tale of the Clever Blacksmith and the Dullard Prince of Azindor
University of Oregon Student New Voices
Written by Evan Marshall
Directed By Jean Sidden
Scenic Design by Jerry Hooker
Written by Evan Marshall
Directed By Jean Sidden
Scenic Design by Jerry Hooker
Clybourne Park by Bruce Norris
Design Concept Non-realized
The Tempest: Devised- Pocket Playhouse
Based off the story of Shakespeare's Tempest.
Directed by Colin Lawrence
Lighting by Tim Vergano
Recorded Production:
http://www.youtube.com/watch?v=9IAsjuNvqJ0
Directed by Colin Lawrence
Lighting by Tim Vergano
Recorded Production:
http://www.youtube.com/watch?v=9IAsjuNvqJ0
I Aint Yo Uncle- University of Oregon
Assistant Costume Designer- Designs for Finale Rap Scene: Topsy and her Crew.
Directed by La Donna Forsgren
Head Costume Designer Anie Smith
Lighting Design by Janet Rose
Scenic Design by Jerry Hooker
Directed by La Donna Forsgren
Head Costume Designer Anie Smith
Lighting Design by Janet Rose
Scenic Design by Jerry Hooker
Sweeney Todd: The Demon Barber of Fleet Street
Awarded KCACTF Region 7: 1st Place Paper Project
Left Top: Beadle Banford, Pirelli, Sweeney Todd, Mrs Lovett Act 2, Mrs. Lovett Act 1, Toby,
Left Bottom: Judge Turpin, Jonas Fogg, Johanna, Anthony, Lucy Barker/Old Woman
The assignment was to put Sweeney Todd into the world of Chicago during the 1920s to play upon the grit of gangs and see how it influenced the designs. It was a prompt given from a director to better understand the process of designing for a director's aesthetic.
The School for Scandal Fall
Costume Design Final Fall 2010 expo-ed as Region 1 KCACTF Region VII
by Richard Brinsley Sheridan
Exploring the Historicity of the late 1700s
by Richard Brinsley Sheridan
Exploring the Historicity of the late 1700s
